One More Thing I’ve Been Reading

I grew up in a family of readers, and it’s rare when I’m not in the middle of at least one book even though it’s more likely that I have three or four going at once. Some books are compelling, some I read for reference, and a few I savor for long periods of time, such as Jessica Kerwin Jenkins’s Encyclopedia of the Exquisite or the collected stories of Flannery O’Connor and Dorothy Parker. Such books bring me back often without tiring of them.

When preparing to move to the woods four years ago, I parted with a number of books that I finally realized that I could live without. I’ve always found it difficult to part with any books, but at one point I was acquiring more than my available storage space allowed. I also decided that the library should become my first source for new reading material. Borrow the book, and if I found I couldn’t live without it, I’d buy it later. There are dozens of books that I own, which I wished I’d borrowed first. They’re good books, but I probably won’t re-read them for many years, if ever.

Among the books I’ve kept are three that I’ve never read in over 30 years of lugging them about. They were gifts that bear special inscriptions that remind me of the giver. The books are first editions, and I never like to part with a first edition of anything lest books become collectible again one day and the sale of one of these tomes provides the means of retiring to the French Riviera.

On three previous occasions I’ve pulled out the first book of this series. Chapter one begins on page seven, but I’ve never made it past page ten. It seems that the archdeacon’s meandering about the graveyard whilst reciting Robert Blair’s The Grave made me dead tired. I’m currently on the waiting list for approximately six books at the library, and I’ve finished with my summer reading list. My only choice was to peruse my shelves for something interesting. I came across this book once again. I sighed heavily and re-read the jacket. Perhaps I was finally mature enough to understand the subject matter even though I couldn’t imagine what I have now that I didn’t have seven years ago on my last attempt.

I’m a great fan of E. F. Benson’s Mapp & Lucia novels. Within those pages, there are dozens of village intrigues centered around two formidable women and their friends. I can also be amused for hours at a time with Agatha Christie’s murderers and the locals trying to figure out whodunit. Since the plot of this novel in question centers on English village life of a certain period, I decided to give it one more chance.

It was best to begin reading when I was fully alert rather than wait until bedtime when the novel had usually affected me like a dose of Midazolam. Adequately caffeinated, I opened to page seven and began reading. The next thing I knew, the book was on the floor and I was achy from having slumped over for a few minutes. Is the book’s page 11 coated in an opiate that my skin keeps absorbing? Why else would this novel induce sleep at the very same point?

I’m a determined person who will see a great number of things through to the end even when a book’s plot is nothing but an old maid darning a curate’s sock while his wife ponders whether to serve beetroot or potato for the cold Sunday supper. I kid you not, and this is coming from someone who has spent many hours delighted by chapters having little more going for them than whether or not some bridge novice inadvertently finessed an ace of out of a veteran opponent who bid no trumps, which eventually led to a grand slam and a war of words.

Three weeks of fortitude, and I’ve made it to page 128. The church organist’s wife is taking the curative waters somewhere on the continent while he remains behind rehearsing the choristers, and the harvest festival bring-and-buy was a success. One of the village’s yarn shops has stocked enough wool for all the single ladies to knit scarves for the clergy’s Christmas gifts, and the lead spinster’s new cook is working out nicely.

I’ve given some thought to this book. The prose is rather nice, but the chapters are less interesting than a fifth-grader’s journal. The characters don’t do much except quote literature and silently worry about what the other characters are silently worrying about.

As with all novels set within English villages, someone is eventually coming for tea. I don’t mind reading a page about how the scones were burned and the marmalade was disastrously runny, but something is going to have to amuse me, touch me, or frighten the hell out of me to prevent my hurling this book against the fireplace. By page 128, the mysterious new cook should’ve begun poisoning the spinster or the archdeacon should’ve run barefoot into the High Street on Sunday morning before Divine Service. As it stands, they’ll all die of boredom before Evensong, and I won’t be far behind.

The best thing about this book is that I’ve been falling asleep effortlessly for a change. Not once have I glanced at the clock to realize I should’ve been asleep two hours ago. You may ask why I continue to stick with this bleak book. Well, I’m number three in the queue for next available library book, and #95 for the new Margaret Atwood. That said, I have a feeling that even if a new library book shows up tomorrow, there is a part of me that wants to reach the end. How else will I find out that the shepherd’s pie was burnt to a crisp and they all had to eat cold pigeon sandwiches for New Year’s dinner?

© 2019 by Patrick Brown

To learn more about my books, especially the two featuring Maggie Lyon, visit my author page at: http://www.amazon.com/Patrick-Brown/e/B005F0CYH2/ref=sr_ntt_srch_lnk_1?qid=1419885131&sr=8-1