Murdered Justice has been out for over a month, and I’ve been enjoying the feedback from friends and readers who’ve reached out to me. Investigative journalist Maggie Lyon is the star of the show in spite of the fact that the murdered justice she’s investigating was the longest serving justice on the United States Supreme Court.
One of the things I seem to hear most is that “Maggie is so relatable.” While I might not be actually hearing this comment the most, it’s the one I remember above all others because I hoped people would like her in the same way you hope all your old friends like your new friend when they finally meet. Fingers crossed that everyone gets along.
Maggie is likable as well as relatable. She’s obviously ambitious and she possesses a certain amount of strength, but in the pages of Murdered Justice, she reveals her vulnerability. She wants to “get it right,” but her success doesn’t come without setbacks, putting her foot wrong and second-guessing her theories. She’s also a bit naïve while simultaneously cynical about other matters. Toward the end of the book, you’ll discover that she’s both fierce and resourceful when forced to come out fighting.
Someone asked me how I thought her up, but I can’t seem to recall a specific date or moment when she emerged in my mind. I had been considering writing in the mystery genre, and I knew I’d need a sleuth. Women are much more interesting to write about, so I knew my “detective” wouldn’t be a man.
We hear about the limited roles for women onscreen, and if you’ve ever discussed the imbalances of stage time with female comics, which I have, you wonder why that’s the case because in my experience women are more interesting, more entertaining, and they’re certainly funnier.
I was raised on television and I love film. Looking through my personal list of favorites, there are way more women featured than men. When comparing male and female detectives, The Thin Man series comes to mind. Nick Charles portrays a day-drinking, funny detective who was written and directed as the hero, but it’s his wife Nora, portrayed by Myrna Loy, who has the best retorts, the wardrobe, the money, the emotional depth, and the best backstory. William Powell has some good moments throughout the series, but my attention always goes to Loy while left wondering, “How did HE manage to get HER?”
I’d rather see a verbal confrontation in those final scenes of The Women rather than explosions, special effects and physical brawls in action films. I much prefer Dame Maggie Smith putting someone down as the Dowager Countess of Grantham in Downton Abbey or Tracey Ullman imitating Maggie Smith to an action hero blowing up a building or a male comic discussing his bathroom habits.
Perhaps society still allows women more freedom of expression than men, which results in more interesting characters, but there should never be limited opportunities or roles for women. While I may never understand my personal preference for women on stage, on film and in books, I’m happy to have created Maggie Lyon, and I hope to bring more of her adventures to the readers who have discovered her and have decided they like her.
© 2017 by Patrick Brown
To learn more about my books, visit my author page at http://www.amazon.com/Patrick-Brown/e/B005F0CYH2/ref=sr_ntt_srch_lnk_1?qid=1419885131&sr=8-1